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About Conscious Creators

Conscious Creators is a New Zealand based shop focused on authentic Moldavite, tektites, impact glass, carvings and jewellery.

But this didn’t start as a shop. It started with Moldavite.

I found Moldavite at 21. I’m 28 now. At the time, I was going through a lot of uncertainty within myself. I don’t remember the exact moment clearly, but I remember the feeling. It felt like being reminded that I was connected to everything. Like the world wasn’t just happening to me. I was happening to the world too.

That changed something in me. Not overnight. Not in some perfect spiritual way. But slowly, it gave me more confidence in myself. More trust in my own direction. More awareness of the way my thoughts, choices and energy were shaping the life I was living.

That’s where Conscious Creators comes from. To me, we’re always creating. Through what we focus on. Through what we avoid. Through what we keep choosing. Through what we finally decide to face. Moldavite didn’t do the work for me. It helped me see what I couldn’t keep ignoring. Old patterns, avoidance and fear. The ways I was distracting myself from the life I actually wanted.

That’s why I’ve never been able to see Moldavite as just something to sell. Moldavite is ancient impact glass, formed around 15 million years ago through the Ries impact event. These pieces are far older than us. They’ve passed through time, pressure, movement and change before ever reaching someone’s hands. That deserves respect.

I don’t like seeing Moldavite treated like a trend. I don’t like fake urgency, inflated prices or overhyped claims that make people feel like they need to buy something before they’re ready. That’s not what this space is about.

Conscious Creators is built around trust. Real pieces. Clear photos. Exact weights. Honest descriptions. Fair prices. No mystery listings. No pressure to buy something just because it sounds powerful. If a piece is right for someone, I trust they’ll feel it without being pushed.

Before Conscious Creators, I started NZ Tektite Marketplace. I wanted other people to feel even a small part of what I’d felt through Moldavite. I wanted somewhere to connect with people who understood the pull toward these pieces, because at the time there weren’t many spaces like that in New Zealand. I also saw online sellers charging prices that felt crazy to me. That never sat right. So I jumped in.

Part of it was purpose. Part of it was love. Part of it was probably just wanting an excuse to be around more Moldavite than I needed.

Then life slowed everything down. I went through a brain injury and spent over a year in hospital and brain rehab. During that time, the group lost momentum and the reach slowly faded. But the love for this never really left.

Recovery taught me something I probably needed to learn anyway. There’s no race, even though for a long time, it felt like there was.

Conscious Creators came from that slower place. It wasn’t a completely new direction. It was more like returning to something I still cared about, but with more patience, more honesty and more understanding of what actually matters.

I choose pieces the same way I’d choose for myself. If I look at one and think, “I’d love that,” then it feels right to offer. Sometimes a piece arrives and I end up keeping it for my personal collection for a while because I feel too connected to let it go straight away. That’s the honest truth.

The price matters to me too. I understand Moldavite is rare. I understand the market has changed. But I don’t want people to feel like they’ve been taken advantage of just because they felt drawn to something meaningful. So I keep my margins as low as I reasonably can. Not because it’s the best business move. It probably isn’t. But it’s the only way this feels right to me.

My approach is simple. I’ll be here if you need me. I’m not here to force anything, push crazy sales or convince you a piece is meant for you. I want people to feel safe here. I want them to feel trust. Selling anything fake or overpriced doesn’t sit right with me, especially when these pieces are millions of years older than us.

I’m doing this from love. I’m trying to offer something real, accessible and meaningful in a way that lets both sides feel good about the exchange.

In resonance,
Nathan

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